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As of Jun 02, 2025

Luis Jimenez

Lot 37081
California Chick, 1968
Fiberglass, automotive paint, and epoxy

27,5 x 33,5 x 15,5 in (69.9 x 85.1 x 39.4 cm)

Lot 37081
California Chick, 1968
Fiberglass, automotive paint, and epoxy
27,5 x 33,5 x 15,5 in (69.9 x 85.1 x 39.4 cm)

Estimate: US$ 10,000 - 15,000
€ 8,800 - 13,000
Auction: 13 days

Heritage Auctions

City: Dallas, TX
Auction: Jun 20, 2025
Auction number: 17220
Auction name: Contemporary Art Within Reach Showcase Auction

Lot Details
Luis Jimenez (1940-2006) California Chick, 1968 Fiberglass, automotive paint, and epoxy 27-1/2 x 33-1/2 x 15-1/2 inches (69.8 x 85.1 x 39.4 cm) Signed on reverse lower center: L.JIMENEZ PROVENANCE: The artist; Collection of Robert Grossman, New York, gift from the above; Private collection, New York, by descent. LITERATURE: R. A. Anaya, Man On Fire, Albuquerque, New Mexico, 1994, p. 70, plate 22 (illustrated). HID12401132022 © 2024 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
The artist; Collection of Robert Grossman, New York, gift from the above; Private collection, New York, by descent.
Presents very well. Upon closer inspection small scuffs, minor scratches, and surface accretions are visible. Small clusters of pitting visible, inherent of artist's chosen media. Dust to recesses.
Lot Details
Luis Jimenez (1940-2006) California Chick, 1968 Fiberglass, automotive paint, and epoxy 27-1/2 x 33-1/2 x 15-1/2 inches (69.8 x 85.1 x 39.4 cm) Signed on reverse lower center: L.JIMENEZ PROVENANCE: The artist; Collection of Robert Grossman, New York, gift from the above; Private collection, New York, by descent. LITERATURE: R. A. Anaya, Man On Fire, Albuquerque, New Mexico, 1994, p. 70, plate 22 (illustrated). HID12401132022 © 2024 Heritage Auctions | All Rights Reserved www.HA.com/TexasAuctioneerLicenseNotice
The artist; Collection of Robert Grossman, New York, gift from the above; Private collection, New York, by descent.
Presents very well. Upon closer inspection small scuffs, minor scratches, and surface accretions are visible. Small clusters of pitting visible, inherent of artist's chosen media. Dust to recesses.
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