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As of Apr 28, 2025

Jean Auguste Dominique Ingres

Lot 1260
Study of the Arms and Hands of the Princesse Pauline de Broglie, 1850
Black chalk

12.4 x 11.8 in (31.5 x 30.0 cm)

Lot 1260
Study of the Arms and Hands of the Princesse Pauline de Broglie, 1850
Black chalk
12.4 x 11.8 in (31.5 x 30.0 cm)

Estimate:
€ 6,000 - 8,000
Auction: 9 days

Van Ham Kunstauktionen

City: Köln
Auction: May 16, 2025
Auction number: 532
Auction name: Fine Art | Live Auktion

Lot Details
INGRES, JEAN AUGUSTE DOMINIQUE1780 Montauban - 1867 Paris


Title: Study of the Arms and Hands of the Princesse Pauline de Broglie.
Design sketch for the painting in the Lehman Collection of the Metropolitan Museum, New York.
Date: 1850-53.
Technique: Black chalk on tracing paper.
Mounting: Mounted.
Measurement: 31.5 x 30cm.
Notation: Atelier stamp lower right: "JI", as well as upper right in mirror writing (as verso on the tracing paper): "étude d'apres Me la Princesse de Broglie".
Frame: Framed.
The stamp is registered with Lucht under the number L. 1477.

Certificate:
Hans Naef, Zurich, 6th April 1987.

Exhibition:
"De Watteau à Cezanne". Musée d'art et d'histoire, Geneva 1951, no. 157.

Provenance:
Konrad Klapheck Collection, Düsseldorf;
Jan Krugier Gallery, Geneva 1995;
Private ownership, Switzerland;
René Engel Collection, Geneva, as part of a cycle of eight drawings.


Lot Details
INGRES, JEAN AUGUSTE DOMINIQUE1780 Montauban - 1867 Paris


Title: Study of the Arms and Hands of the Princesse Pauline de Broglie.
Design sketch for the painting in the Lehman Collection of the Metropolitan Museum, New York.
Date: 1850-53.
Technique: Black chalk on tracing paper.
Mounting: Mounted.
Measurement: 31.5 x 30cm.
Notation: Atelier stamp lower right: "JI", as well as upper right in mirror writing (as verso on the tracing paper): "étude d'apres Me la Princesse de Broglie".
Frame: Framed.
The stamp is registered with Lucht under the number L. 1477.

Certificate:
Hans Naef, Zurich, 6th April 1987.

Exhibition:
"De Watteau à Cezanne". Musée d'art et d'histoire, Geneva 1951, no. 157.

Provenance:
Konrad Klapheck Collection, Düsseldorf;
Jan Krugier Gallery, Geneva 1995;
Private ownership, Switzerland;
René Engel Collection, Geneva, as part of a cycle of eight drawings.



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