As of Apr 24, 2024

Various Artists

Lot 134

BAM Photography Portfolio IV, (complete set of 11 photographs by 11 artists, with text insert, colophon, and portfolio case)

30,0 x 24,0 in (76.2 x 61.0 cm)

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Lot 134

BAM Photography Portfolio IV, (complete set of 11 photographs by 11 artists, with text insert, colophon, and portfolio case)

30,0 x 24,0 in (76.2 x 61.0 cm)

Estimate: US$ 2,000 - 4,000

€ 1,900 - 3,700

Auction: -37 days

Hindman

Auction: Apr 25, 2024 03:00 PM

Auction number: 1328

Auction name: Prints and Multiples

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50 The Royal Academy of Arts Members Portfolio , 2000

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47 Alan Cristea Gallery Twentieth Anniversary Portfolio , 2015

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48 fig-1: 50 Projects in 50 Weeks , 2001

the complete portfolio, comprising 50 inkjet posters on smooth wove paper folded, with the title and text pages, contained in the original portfolio box

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UTAGAWA HIROSHIGE II, UTAGAWA HIROSHIGE III , UTAGAWA HIROKAGE (FL. CIRCA 1854-1867), AND...

1007 Edo period (1615-1868) to Meiji era (1868-1912), mid-to late 19th century

Nine oban and eight chuban landscape prints by members of the Utagawa school: nine oban comprising: one yoko-e from the series Edo meisho (Famous Places in Edo) by Shigenobu (Hiroshige II), one tate-e from the series Edo Meisho doke zukushi (Comical Version of Famous Views of Edo) by Hirokage, five tate-e from the series Toto sanjurokkei (36 Views of the Eastern Capital) and a tate-e sheet from a triptych by Hiroshige II, and one yoko-e from the series Tokyo meisho zue (Illustrated Famous Places of Tokyo) by Hiroshige III; the rest, eight chuban tate-e/yoko-e of meishozu-e, the majority by Hiroshige II or Hiroshige III; all variously

€ 1,200 - 1,800

9 days | Bonhams London

UTAGAWA HIROSHIGE, UTAGAWA KUNIYOSHI , AND TSUKIOKA YOSHITOSHI (1839-1892)

1013 Edo period (1615-1868), 19th century

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1014 Edo period (1615-1868), mid-19th century

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An album in concertina form, consisting of approximately 80 oban tate-e prints laid down on sheets of paper, comprising: more than 60 sheets of yakusha-e, the majority incomplete sheets from polyptychs by Toyokuni III; and more than 10 sheets of bijinga and other subjects by various artists including Toyokuni III, Kuniyoshi, Yoshitora, Yoshifuji, and Hiroshige II; all variously

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