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4 days | Ader, Paris

Hans Bellmer

Lot 153 Incest. 1968. Engraved by Cécile Reims , 1968

A very beautiful and crisp print on white vellum, numbered and

4 days | Ader, Paris

Roland Topor

Lot 171 Plate 1 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

Very fine print on vellum, inscribed “for Guy Georges” and

4 days | Ader, Paris

Roland Topor

Lot 172 Plate 8 for the album *Nouvelles en trois lignes* (text by F. Fénéon), Mo... , 1975

Very fine print on vellum, inscribed “for Guy Georges” and

4 days | Ader, Paris

Roland Topor

Lot 178 Forcée (Image of Success). Circa 1990. Lithograph. [ , 1990

Very fine print on vellum, inscribed “for Guy Georges” and

4 days | Ader, Paris

Antoni Clavé

Lot 247 1972. Linocut and relief print. [

Very fine print on aluminum, a variant with the circle printed in yellow rather than red, numbered “EA II/X” and

4 days | Ader, Paris

Jean Hélion

Lot 283 Jean Hélion – 100 Paintings, 1928–1970. Poster for an exhibition at th... , 1970

Set of 2 very fine prints on cream-colored vellum, from the pre-letter run, numbered and

4 days | Ader, Paris

Roland Topor

Lot 168 Long Dress. 1970. Lithograph. [ , 1970

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

4 days | Ader, Paris

Roland Topor

Lot 177 Next! 1979. Linocut

A very fine print on ivory-colored vellum, inscribed “for Guy Georges” and

4 days | Ader, Paris

Ossip Zadkine

Lot 124 The Happy Parents. Circa 1956. Lithograph. [ , 1956

Fine print on vellum

4 days | Ader, Paris

Fred Deux

Lot 159 La Forme. 1974. Engraving , 1974

A very fine print on vellum, numbered and

4 days | Ader, Paris

Jacques Villon (Gaston Duchamp, known as)

Lot 110 Reading. 1955. Etching , 1955

4 days | Ader, Paris

Roland Topor

Lot 176 Disheveled Thoughts. Circa 1975. Lithograph. [ , 1975

A fine print on olive-green-tinted vellum, inscribed “E.A.” and

3 days | Aguttes, Neuilly-Sur-Seine

JEAN COCTEAU

Lot 111 Harlequin with a Guitar , 1954

Colour lithograph on vellum paper

4 days | Ader, Paris

Antoni Clavé

Lot 61 Still Life. 1964. Lithograph. [ , 1964

Beautiful proof on vellum from the black stone alone, annotated “essai” and

4 days | Ader, Paris

Jean Lurçat

Lot 69 Sun-Moon. 1964. Lithograph. Dimensions , 1964

A very fine print on white vellum, numbered and

4 days | Ader, Paris

Hans Bellmer

Lot 152 Plate 5 from the series *Mode d’emploi*, Paris, G. Visat, 1967. Etching. ... , 1967

The plate was originally intended as an illustration for André Pieyre de Mandiargues’ *L’Anglais décrit dans le château fermé* (a work that was never published) and was later included in the *Mode d’emploi* series

4 days | Ader, Paris

Roland Topor

Lot 174 Head-to-Toe. Circa 1975. Lithograph. [ , 1975

A fine print on vellum, inscribed “E.A.” and

4 days | Ader, Paris

Antoni Clavé

Lot 246 Black Leaf, or Night Leaf. 1963. Lithograph , 1963

Very fine print on vellum, numbered and

4 days | Ader, Paris

Émile Gilioli

Lot 253 Celebration of the Ball. 1968. Lithograph. [ , 1968

A very fine proof on vellum, numbered and

4 days | Ader, Paris

Pablo Picasso (after)

Lot 312 Amnistia. Poster for the National Committee for Aid to Victims of Francoism... , 1959

10 days | Bruun Rasmussen, Lyngby

Pablo Picasso

Lot 185 “Picasso. 28 linographies originales”

Lithographic poster

4 days | Ader, Paris

Roland Topor

Lot 169 Long Dress. 1970. Lithograph. [ , 1970

A very fine proof on vellum, before the size marks were erased, annotated in pencil with “epreuve” and

4 days | Ader, Paris

Roland Topor

Lot 173 "Series of Buttocks." Circa 1975. Lithograph. [

A very fine print on ivory vellum, inscribed in blue pencil “for Guy Georges” and

4 days | Ader, Paris

Jean Ipoustéguy

Lot 310 Who’s Holding the Revolver?; The Time of Cherries; Tick-Tock, Tick-Tock, ... , 1968

3 days | Aguttes, Neuilly-Sur-Seine

JACQUES VILLON

Lot 97 Composition, 1927 [Ginestet & Pouillon E 660]

Colour aquatint on vellum

4 days | Ader, Paris

Roland Topor

Lot 175 The Man with the Suitcase. Circa 1975. Linocut. [ , 1975

A fine print on vellum, inscribed “E.A.” and

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