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7 days | Ader, Paris

Jean Arp

Lot 239 Christ on the Cross II. 1948. Etching (typographic print on a black backgro... , 1948

7 days | Ader, Paris

Raoul Ubac

Lot 150 Cover for *Derrière le Miroir*, No. 119. 1960. Lithograph , 1960

Beautiful proof on vellum, numbered, inscribed “For Yves Peirat/these forms for the pleasure of the eye,”

7 days | Ader, Paris

Raoul Ubac

Lot 151 Circular Rhythm. Circa 1970. Lithograph. [ , 1970

Very fine print on vellum, numbered and

7 days | Ader, Paris

Henri-Georges Adam

Lot 54 Les Volets*. 1942; *Woman with a Veil*. 1945; *Woman at the Mirror* (2 proo... , 1945

Very fine proofs on vellum

7 days | Ader, Paris

Mario Prassinos

Lot 197 The Tree. 1962. Etching, aquatint, and burin , 1962

A very fine print on vellum, inscribed “E.A.,” dedicated, and

7 days | Ader, Paris

Pierre Courtin

Lot 145 Untitled. 1946. Engraving tool and burin , 1946

Set of 4 very fine proofs on vellum, numbered (out of 65, not 50 as advertised) and

7 days | Ader, Paris

Pierre Courtin

Lot 146 Various subjects. 1949–1952. Engraving with a chisel and burin. Various s...

4 days | Bruun Rasmussen, Lyngby

Antoni Clavé

Lot 721 Untitled

Etching i colours

today | Pandolfini, Milan

RUFINO TAMAYO

Lot 147 Tete , 1975

original lithograph (4 colors)

7 days | Ader, Paris

Hans Bellmer

Lot 153 Incest. 1968. Engraved by Cécile Reims , 1968

A very beautiful and crisp print on white vellum, numbered and

7 days | Ader, Paris

Hans Bellmer

Lot 154 Print for H. von Kleist, *Les Marionnettes*, Paris, G. Visat, 1969. Engrave... , 1969

Beautiful print on old rose-tinted Fabriano vellum, with small highlights in green pencil

7 days | Ader, Paris

Antoni Clavé

Lot 59 Still Life. 1964. Lithograph. [ , 1964

Beautiful print on vellum, numbered (out of 95, not 99) and

7 days | Ader, Paris

Antoni Clavé

Lot 60 Still Life. 1964. Lithograph. Image size , 1964

Beautiful print on vellum, numbered (out of 95, not 99) and

7 days | Ader, Paris

Antoni Clavé

Lot 247 1972. Linocut and relief print. [

Very fine print on aluminum, a variant with the circle printed in yellow rather than red, numbered “EA II/X” and

today | Pandolfini, Milan

ERNST FUCHS

Lot 149 Hexenbocht

7 days | Ader, Paris

Pierre Courtin

Lot 147 The Silence of the Dog. July 15, 1976. Etching on rounded copper plate , 1976

7 days | Ader, Paris

Fred Deux

Lot 159 La Forme. 1974. Engraving , 1974

A very fine print on vellum, numbered and

6 days | Aguttes, Neuilly-Sur-Seine

JEAN COCTEAU

Lot 111 Harlequin with a Guitar , 1954

Colour lithograph on vellum paper

7 days | Ader, Paris

Hans Bellmer

Lot 152 Plate 5 from the series *Mode d’emploi*, Paris, G. Visat, 1967. Etching. ... , 1967

The plate was originally intended as an illustration for André Pieyre de Mandiargues’ *L’Anglais décrit dans le château fermé* (a work that was never published) and was later included in the *Mode d’emploi* series

7 days | Ader, Paris

Jean Lurçat

Lot 69 Sun-Moon. 1964. Lithograph. Dimensions , 1964

A very fine print on white vellum, numbered and

7 days | Ader, Paris

Antoni Clavé

Lot 61 Still Life. 1964. Lithograph. [ , 1964

Beautiful proof on vellum from the black stone alone, annotated “essai” and

7 days | Ader, Paris

Antoni Clavé

Lot 246 Black Leaf, or Night Leaf. 1963. Lithograph , 1963

Very fine print on vellum, numbered and

7 days | Ader, Paris

Pierre Courtin

Lot 143 Girl in the Street. Circa 1944. Drypoint , 1944

A very fine print on vellum, numbered and

7 days | Ader, Paris

Pierre Courtin

Lot 144 Couple on a Chair. Circa 1945. Engraving , 1945

Perfect proof on vellum, annotated “test print” and

7 days | Ader, Paris

Jean Ipoustéguy

Lot 310 Who’s Holding the Revolver?; The Time of Cherries; Tick-Tock, Tick-Tock, ... , 1968

today | Pandolfini, Milan

ANTONIO POSSENTI

today | Pandolfini, Milan

CONCETTO POZZATI

Lot 67 Cuco , 1996

painted ceramic

today | Pandolfini, Milan

LEONOR FINI

Lot 146 Dancers

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