Camille Pissarro

Durand-Ruel, Paris (acquired directly from the artist in November 1899 and until 1941) 

A. & R. Ball, New York (acquired by 1959) 

M. Knoedler & Co., New York (acquired from the above) 

Mr. and Mrs. Norman B. Woolworth, New York (acquired from the above in October 1959) 

Pauline E. Woolworth, New York (acquired by descent from the above) 

Ann Kendall Richards, Inc., New York (acquired from the family of the above) 

Roger and Laura Meier, Portland (acquired from the above in 1998) 

Acquired from the above by the present owner

Ludovic Rodo Pissarro and Lionello Venturi, Camille Pissarro—Son art, son oeuvre, vol. I, Paris, 1939, no. 1086, p. 232; vol. II, no. 1086, pl. 217, illustrated (titled Varengeville, l'auberge du manoir, après-midi) 

Janine Bailly-Herzberg, Correspondance de Camille Pissarro, vol. V, Paris, 1980, no. 1675.11, p. 55  

Joachim Pissarro and Claire Durand-Ruel Snollaerts, Pissarro: Critical Catalogue of Paintings, vol. III, Paris, 2005, no. 1291, p. 799, illustrated in color 

Paris, Durand-Ruel, Tableaux par Camille Pissarro, 1928, no. 87, n.p. (titled L'Auberge du manoir, Varengeville)

Basel, Kunsthalle, Impressionisten—Monet, Pissarro, Sisley: Vorläufer und Zeitgenossen, 1949, no. 171 (titled Varengeville, l'après-midi) 

Paris, Galerie André Weil, Exposition Pissarro: au profit du Musée de Jérusalem, 1950, no. 34 (titled Auberge du manoir à Varengeville and dated 1898) 

New York, The Metropolitan Museum of Art, New York Collects: Paintings, Watercolors and Sculpture from Private Collections, 1968, no. 170 (titled Varengeville) 

Portland Art Museum, Paris to Portland: Impressionist and Post-Impressionist Masters in Portland Collections, 2003, n.n., p. 9, illustrated in color and p. 44 

Portland Art Museum, 2018 - 2023 (on extended loan) 

Portland Art Museum, Paris 1900: City of Entertainment, 2019