As of Jun 18, 2025

Albert Gleizes

Lot 70
Vierge à l'enfant rose (Femme et Enfant), 1926
Pochoir

15.8 x 10.0 in (40.2 x 25.5 cm)

Lot 70
Vierge à l'enfant rose (Femme et Enfant), 1926
Pochoir
15.8 x 10.0 in (40.2 x 25.5 cm)

Estimate:
€ 700 - 900
Auction: 24 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: Jul 15, 2025 03:34 PM
Auction number: 594
Auction name: Online Sale

Lot Details
Pochoir. Signed and dated "1926".Probably once more signed/inscribed "Gleizes" in the lower right margin. On wove paper. 40.2 x 25.5 cm. Sheet: 63,3 x 49,3 cm.
The pochoir is based on a gouache by Albert Gleizes and was produced by Robert Pouyaud at Moly-Sabata under the artist's supervision between 1927 and 1929. The date “1926” at the bottom right of the pochoir thus probably refers to when the gouache that served as a template was created. With the stamp “Éditions Moly-Sabata” and the handwritten number “No 3” on the reverse. According to Anne Varichon's catalogue raisonné, the exact print run is unknown. [AR] More works from the Max Niedermayer Collection, Limes-Verlag, Wiesbaden, are coming up for auction throughout this year.
LITERATURE: Anne Varichon, Albert Gleizes. Catalogue raisonné, volume I, Paris 1998, WVZ Nr. 1226 (m. Farbabb.). Jacqueline Loyer, L'Œuvre gravé de Albert Gleizes, WVZ Nr. IV - Pochoirs, Nr. VI, S. 22, in: Nouvelles de l'estampe, revue du comité national de la gravure française, No. 26, März-April 1976, S. 11-22.
Galerie du Pont Royal I. Hœnigsberg, Paris (verso auf der Rahmenrückwand m. Etikett). Sammlung Dr. Max Niedermayer, Wiesbaden. Nachlass Dr. Max Niedermayer, Wiesbaden. Privatsammlung Rheinland-Pfalz (1979 vom Vorgenannten erworben). Seither in Familienbesitz
Lot Details
Pochoir. Signed and dated "1926".Probably once more signed/inscribed "Gleizes" in the lower right margin. On wove paper. 40.2 x 25.5 cm. Sheet: 63,3 x 49,3 cm.
The pochoir is based on a gouache by Albert Gleizes and was produced by Robert Pouyaud at Moly-Sabata under the artist's supervision between 1927 and 1929. The date “1926” at the bottom right of the pochoir thus probably refers to when the gouache that served as a template was created. With the stamp “Éditions Moly-Sabata” and the handwritten number “No 3” on the reverse. According to Anne Varichon's catalogue raisonné, the exact print run is unknown. [AR] More works from the Max Niedermayer Collection, Limes-Verlag, Wiesbaden, are coming up for auction throughout this year.
LITERATURE: Anne Varichon, Albert Gleizes. Catalogue raisonné, volume I, Paris 1998, WVZ Nr. 1226 (m. Farbabb.). Jacqueline Loyer, L'Œuvre gravé de Albert Gleizes, WVZ Nr. IV - Pochoirs, Nr. VI, S. 22, in: Nouvelles de l'estampe, revue du comité national de la gravure française, No. 26, März-April 1976, S. 11-22.
Galerie du Pont Royal I. Hœnigsberg, Paris (verso auf der Rahmenrückwand m. Etikett). Sammlung Dr. Max Niedermayer, Wiesbaden. Nachlass Dr. Max Niedermayer, Wiesbaden. Privatsammlung Rheinland-Pfalz (1979 vom Vorgenannten erworben). Seither in Familienbesitz

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