As of May 15, 2024

Joseph Beuys

Lot 143
Hasenstein, 1982
Multiple

13.8 x 43.3 x 13.0 in (35.0 x 110.0 x 33.0 cm)

Lot 143
Hasenstein, 1982
Multiple
13.8 x 43.3 x 13.0 in (35.0 x 110.0 x 33.0 cm)

Estimate:
€ 40,000 - 60,000
Auction: 9 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: Jun 07, 2024
Auction number: 553
Auction name: Contemporary Day Sale

Lot Details
Multiple . Basalt stone with golden spray paint and painted in pink. Signed, numbered and inscribed oin the side. From an edition of 7 large stones. 35 x 110 x 33 cm.
Published by Edition Staeck, Heidelberg. [KT].
- Extraordinary materiality and monumentality. - Beuys is a master of complex symbolism: the combination of the color gold, the hare and the primal basalt rock make up his inimitable mythology. - In his first highly acclaimed performance in 1965, "Wie man dem toten Hasen die Bilder erklärt" (How to explain the pictures to the dead hare) as well as in "Goldhase" at documenta VII in 1982 , Beuys made gold and the hare a central motif in his work. - Very rarely offered on the auction market (source: artprice.com).
LITERATURE: Jörg Schellmann, Joseph Beuys. Die Multiples: Werkverzeichnis der Auflagenobjekte und Druckgraphik 1965-1986, Munich/New York 1992, no. 460 B (illu., different cop).
Beuys - Lehmbruck: Denken ist Plastik, Bundeskunsthalle, Bonn, June 25 - November 20, 2021, pp. 66-67 (double-page illu.)
Private collection Berlin
In good condition. With isolated minor superficial rubbings and dust adhesions. Surface irregularities owing to material and technique.
Lot Details
Multiple . Basalt stone with golden spray paint and painted in pink. Signed, numbered and inscribed oin the side. From an edition of 7 large stones. 35 x 110 x 33 cm.
Published by Edition Staeck, Heidelberg. [KT].
- Extraordinary materiality and monumentality. - Beuys is a master of complex symbolism: the combination of the color gold, the hare and the primal basalt rock make up his inimitable mythology. - In his first highly acclaimed performance in 1965, "Wie man dem toten Hasen die Bilder erklärt" (How to explain the pictures to the dead hare) as well as in "Goldhase" at documenta VII in 1982 , Beuys made gold and the hare a central motif in his work. - Very rarely offered on the auction market (source: artprice.com).
LITERATURE: Jörg Schellmann, Joseph Beuys. Die Multiples: Werkverzeichnis der Auflagenobjekte und Druckgraphik 1965-1986, Munich/New York 1992, no. 460 B (illu., different cop).
Beuys - Lehmbruck: Denken ist Plastik, Bundeskunsthalle, Bonn, June 25 - November 20, 2021, pp. 66-67 (double-page illu.)
Private collection Berlin
In good condition. With isolated minor superficial rubbings and dust adhesions. Surface irregularities owing to material and technique.

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