As of Jun 18, 2025

Otto Ritschl

Lot 58
Komposition 57/12, 1957
Oil on canvas

29.5 x 35.4 in (75.0 x 90.0 cm)

Lot 58
Komposition 57/12, 1957
Oil on canvas
29.5 x 35.4 in (75.0 x 90.0 cm)

Estimate:
€ 8,000 - 12,000
Auction: 13 days

Ketterer Kunst GmbH & Co KG

City: Munich
Auction: Jul 15, 2025 03:28 PM
Auction number: 594
Auction name: Online Sale

Lot Details
Oil on canvas. Signed and dated in the lower left. Once more signed and dated as well as inscribed “Ritschl Komp. 57/12" on the reverse. 75 x 90 cm.
[AR].
- Remarkably colorful and precisely organized composition from the artist's strictly abstract period. - During the course of 1956, Otto Ritschl developed jagged and angular elements that would dominate his compositions for several years. - His artistic development was influenced by, among other things, his encounter with the Parisian constructivists, which provided new inspiration for his work. - In both 1955 and 1959, the German artist was represented at the documenta in Kassel.
LITERATURE: Wolff Mirus, Otto Ritschl. Das Werkverzeichnis 1919-1976, Munich 2017, catalogue raisonn é no. 1957/12 (illustrated in color on p. 233). - - Hans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, p. 60 (illustrated on p. 61).
Pachen Collection. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Sonderausstellung im Haus am Dom, Mainz, June 8 - July 1, 1962, cat. no. 78 (illustrated). Pachen Collection: Eine Auswahl, Mittelrheinisches Landesmuseum, Mainz, Seprember 13 - October 15, 1978, cat. no. 63
Pachen Collection, Mainz/Rockenhausen (with a label inscribed with the inventory number 0086 on the reverse). Private collection, Hesse
In good condition. Probably with the original artist's or studio frame. Craquelure and soiling in places. Small brown spots on the paint and studio marks. The canvas is slightly wavy in the corners and on the right edge of the picture. The paint application is slightly uneven in the gray area in the lower right, but this is probably original. Under UV light, slight overpainting can be seen in the upper center, but this is also likely to be by the artist himself. The condition report was compiled in daylight with a UV light source and to the best of our knowledge and belief.
Lot Details
Oil on canvas. Signed and dated in the lower left. Once more signed and dated as well as inscribed “Ritschl Komp. 57/12" on the reverse. 75 x 90 cm.
[AR].
- Remarkably colorful and precisely organized composition from the artist's strictly abstract period. - During the course of 1956, Otto Ritschl developed jagged and angular elements that would dominate his compositions for several years. - His artistic development was influenced by, among other things, his encounter with the Parisian constructivists, which provided new inspiration for his work. - In both 1955 and 1959, the German artist was represented at the documenta in Kassel.
LITERATURE: Wolff Mirus, Otto Ritschl. Das Werkverzeichnis 1919-1976, Munich 2017, catalogue raisonn é no. 1957/12 (illustrated in color on p. 233). - - Hans Hofstätter, Sammlung Pachen. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Mainz 1960, p. 60 (illustrated on p. 61).
Pachen Collection. Deutsche Kunstwerke aus dem 20. Jahrhundert. Malerei, Graphik, Plastik, Sonderausstellung im Haus am Dom, Mainz, June 8 - July 1, 1962, cat. no. 78 (illustrated). Pachen Collection: Eine Auswahl, Mittelrheinisches Landesmuseum, Mainz, Seprember 13 - October 15, 1978, cat. no. 63
Pachen Collection, Mainz/Rockenhausen (with a label inscribed with the inventory number 0086 on the reverse). Private collection, Hesse
In good condition. Probably with the original artist's or studio frame. Craquelure and soiling in places. Small brown spots on the paint and studio marks. The canvas is slightly wavy in the corners and on the right edge of the picture. The paint application is slightly uneven in the gray area in the lower right, but this is probably original. Under UV light, slight overpainting can be seen in the upper center, but this is also likely to be by the artist himself. The condition report was compiled in daylight with a UV light source and to the best of our knowledge and belief.

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